At Thiruvallikkeni
divyadesam, sashtiapthapoorthi celebrations of
Methavimani, Gambhira Vakvarshi, Dr Mandayam Ananthanpillai
Venkatakrishnan Swami is being celebrated grandly. The first phase lined up great scholars
performing kalakshepams at Nampillai sannathi at Thiruvallikkeni. It is reaching a crescendo and on Sri
Jayanthi day (16th Sept 2014) – ‘Krishna
Ganam’ by Padma Bushan, Sangeetha Kalanidhi, Vainika Gayaka Shiromani,
Harikatha Choodamani Madurai TN
Seshagopalan was arranged at Sri Parthasarathi Swami Thirukovil.
He is a Master of Veena and Harmonium is lesser known and ….. he is an exponent of Harikatha too.
Shri TN Seshagopalan was first learnt under his mother, and later under tutelage of Ramanathapuram C. S. Sankarasivan. He holds a degree in science from Madras University and a degree in music fromMadurai Kamaraj University where he later served as professor of music.
He was conferred the prestigious Sangita Kalanidhi title by Music Academy in 2006
Harikatha is a form of
Hindu religious discourse in the format of storytelling tuned to music and
laced with moral values. Harikatha usually deals with the stories from the Indian
epics like Ramayana and Mahabharata or the life of saints. It aims
to educate the people on the literary and religious values. In some ways in Ramayana age itself, this
existed and Naradha muni propagated; the epic Hero Rama’s sons Lava Kusha sang
the ithihasam Ramayana as learnt from Sage Valmiki. Harikatha owes its existence to Andhra
Pradesh and is still prevalent in most parts as an age-old tradition.
Sri Seshagopalan was
recently conferred ‘Harikatha Choodamani’
Award by Sri Krishna Gana Sabha. Earlier recipients of this award are Kalyanapuram Aravamudhachariar and
Thanjavur Kamala Murthy. It is stated that Sri Seshagopalan who was awarded
Padma Bushan for excellence in vocal classic music in 2004 is capable of
rendering any theme in ‘Harikatha form’ – such is his mastery and passion of
the multi-dimensional artist playing the veena, harmonium and keyboard at
concerts and the flute and sitar for personal pleasure. He has innovated in classical Carnatic music
by using the Porta Mento (pitch slider) on the western keyboard to accurately
produce 'gamakas' or oscillations of notes.
"My Harikathas in
Tamil and English generally have two singers, violin, mrindangam , harmonium
and tanpura players. Dance is an option, not a must for a Harikatha exponent,"
he had statedin a chat with TOI. "To me Harikatha is an integration of
stage presence, oratory skills, knowledge of music, acting and using current
events to make subjects interesting to the audience," he said. Today’s The Hindu has a nice feature on him
titled ‘Guru predicts and the disciple makes it happen’ – some excerpts here :
The year was 1991 and the
day Makara Sankaranti. During a felicitation for his 87-year-old guru, this
vidwan was asked to present a vote of thanks. Impressed by his lines, the guru
interrupted to announce, “He is already a popular musician. Watch out! When
this boy, my disciple, turns 50, he will earn a name for himself in the art of
Harikatha. I may not be alive then, but most of you here will live to see my
prediction come true.” The guru was Ramanathapuram C.S. Sankara Sivan and the
disciple – Madurai T.N. Seshagopalan. TNS has gone on to collect accolades,
awards and titles, including Sangita Kalanidhi. And his guru’s words came true
when he recently received the Harikatha Choodamani Award conferred by Sri
Krishna Gana Sabha.
“My mother was my first
guru in Harikatha,” begins TNS, going down memory lane. My headmaster
Ganapathia Pillai helped me with songs, composed by him, including the
narration for the story titled, ‘Gandhi Mahan Charithram.’” Seshagopalan cites references from their
discourses and sings a few lines, showing the kind of impact those stalwarts
had on him. TNS has presented Harikathas
on various topics such as ‘Tamil Tyagayya’ (on Papanasam Sivan), Ramayanam
(Valmiki and Kamban), Krishna Leela Tarangini and Nandanar Charithram.
Recently, during the 150 year celebration of Swami Vivekananda, he offered
‘Moola Murthiyum Utsava Murthiyum,’ juxtaposing Ramakrishna Paramahamsa and
Swami Vivekananda. His penchant for thematic concerts - on Kamba Ramayanam,
Naalayira Divya Prabhandam, Tiruvarutpa, Thayumanavar and Kaviyarasu Kannadasan
- has helped him acquire knowledge on various subjects. His experiences with
the doyens of Carnatic music and association with his guru have held him in
good stead. His expertise in Sanskrit, Tamil and Telugu is evident when he
quotes fluently from the works of Tyagaraja, Annamayya, Valmiki, Kamban and so
on.
In 1983 he
played hero in a Tamil movie "Thodi Raagam". Age certainly has not
withered his looks or his spirits – the devotees at Sri Parthasarathi Swami
Kovil thoroughly enjoyed his mellifluous voice on that day. He was accompanied by his son TN. Krishna
Seshagopalan and by SD Sridhar on Violin
and J Balanji in Mridangam.
Here are some photos taken
on the occasion
With regards – S.
Sampathkumar.
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