பல சமயங்களில் கர்நாடக இசை கச்சேரிகளில் துவக்கத்தில் பாடப்படும் 'ஆபோகி' ராகத்தில் - சபாபதிக்கு வேறு தெய்வம் சமானம் ஆகுமா ! என்ற பாடல் ஒலித்தது மஹாகவி சுப்பிரமணிய பாரதி வாழ்ந்த திருவல்லிக்கேணி இல்லத்தில்.
இப்பாடலை இயற்றியவர் கோபாலகிருஷ்ண பாரதியார். Gopalakrishna Bharatiyar a Tamil Poet and composer of Carnatic music breathed his last in 1896. The great Tamil Poet, freedom fighter Subramaniya Bharathiyar was born in 1881 and passed away in 1921 (not sure whether they could have met) ~ this post is different – on an event organized by SYMA in memory of late Mr NKT Muthu, at Barathiyar memorial Triplicane on 10th Sept. 2017.
The
ability to express thoughts through sounds has evolved into an art which we
call music. Carnatic music emphasizes
the voice and singing, accompanied by the tambura, violin, mridangam, gadam,
Veena and more. The raga style is
commonly used, and improvisation is common. Three forms are hailed : Iyal, Isai, Nattiyam
[Prose, Poetry and Drama] .. .. a couple of centuries ago, when talented
musicians were so many and most sought the patronage of Kings and Barons, lived
Thiyagaraja eternally devoted to Lord Rama and who sung thousands of kirthanas.
It was our fortune
to watch an emotionally moving performance – a drama on Saint Thyagaraga hailed
as Thyagabrahmam, the greatest composer
of Carnatic music, who was so attached to Lord Rama and composed thousands of devotional compositions,
most in Telugu and in praise of Lord Rama.
Way back in 1946 there was a musical movie ‘Tyagayya’ produced and
directed by Chittor V. Nagaiah considered as masterpiece in Telugu cinema.
Years later, in 1981 came the Telugu movie Tyagayya with Somayaju in lead
role. The one that moved us was the
drama by TV Varadarajan and his troupe.
Srinivas Youngmens Association, in service to the
Society since 1977 organised this – it was remembrance of NKT Muthu who passed
away last year. Late Muthu is well known
to Triplicane residents. He started the Thiruvateeswarar Sabha in 1952;
later took organizing stage dramas to a great height. NKTM was the first to introduce hero cut-out
concept publicity format for dramas by erecting R.S. Manohar's mythology title
role cut-outs all over Triplicane, illuminating it with serial sets. He was the
first person to conduct drama festivals. Associated with NK Thirumalachariyar stage, NKTM's meticulous planning and publicity
strategy ensured that NKT hall was
always full of thousands of people for every show conducted by him.
On stage
were : Vicku Vinayakaram, Kathadi Ramamurthi,
M Krishnamurthi, TV Varadharajan, TJ Ramani and NKT Jayagopal. Yours Truly compered the programme.
Thetakudi Harihara
Vinayakram (popularly Vikku Vinayakram)
is ghatam exponent, Padma Bhushan, winner of many a awards including Grammy Award, truly son of Triplicane could
easily be the man of the century of its residents. The winner of so many awards is always
composed and humble. Kathadi Ramamurthi,
comedian, stage artist is considered Sherlock Holmes of India, famous for his
role in Devan’s Thuppariyum Sambu among many.
Of the important sabhas, Sri Parthasarathi Swami sabha founded by Mani
Thirumalachariyar in 1900 occupies pride of place, Mr Krishnamurthi has been
its secretary for more than 25 years now.
TV Varadharajan, news reader of Doordarshan, stage artist is another famous son of
Triplicane. TJ Ramani, is the founder,
President of SYMA. NKT Jayagopal is the
worthy son of late NKT Muthu, philanthropist, social activist, now running
Bihar school of Satyanandha Yoga.
Rich tributes were
paid to late NKT Muthu by every speaker.
Muthu has patronized SYMA right from its initial days and last year he
was recipient of SYMA sewa award too.
SYMA members have great memories of many good deeds of Muthu in support
of the organization. Jayagopal thanked
all for attending the meeting. Living in
Triplicane, have watched many a dramas – yet this musical drama composed, directed and enacted by the renowned T V
Varadarajan and his 20 odd members had a deep emotional impact – hearing to quality
Carnatic music and knowing the tragic circumstances and of great compositions
from the life of Sri Thyagaraja – it was a great performance.
A stage drama is
difficult enactment – made tougher by a smaller stage – yet the rendition was
perfect. The change over of scenes, the
depictions, the sound of music, the performance of artistes – all a class that
had the audience spellbound.
Varadharajan donned the title role mesmering the audience with
soulstirring performance depicting the
attachment of saint-composer to Lord Rama, especially in his old age. The music by classical singer Bombay
Jayashri, aptly putting the kritis of Thyagaraja was attractive to the
hilt. The storyline was simple drawing
us emotionally to the life of Thyagaraja, the time he lived, the patronage of
King of Thanjavur, his travels, his singing of Lord at various places and
more.
All the artistes be
it Lord Rama, Sita, Lakshmana, Hanuman; Thyagaraja , his wife, his disciple,
his elder brother and his wife; the King and his courtyard – the roles were
perfectly portrayed – with scenes changing fast, calm and endearing music – and
when it drew to a close, our hearts were filled with emotion. Dr MA Venkatakrishnan upon completion of the
stage drama, appreciated Varadhajan and his troupe, recalling his relationship
with father of Varadharajan and spoke of some interesting anecdotes including
the Saint’s visit to Sri Parthasarathi temple and of the Ekantha seva performed
those days during Irapathu uthsavam.
SYMA thanks all the
dignitaries who were on stage, TV Varadharajan and his troupe, NKT Jayagopal
and all those who attended the memorial event. Here are some photos of the drama.
With regards – S.
Sampathkumar
16th
Sept. 2017.
Well captured moments and great narration
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