We go to temples ~
.. .. the administration of the Temple (managing the funds received and
administering the various functional activities) lies with the Govt. – done
through Hindu Religious & Charitable Endowments (HR&CE) – that way you
have the State Govt celebrating the birth of ex-CM in Temples, though this
activity would have absolutely no connection with the Temple, Lord, its
devotees and more so, in respect of the donations offered in Hundis and other
ways – as these are specific towards the temple and not for anything else. ~
and sadly there have been cases of Temple Idols the Murthis which are
worshipped being stolen and taken to foreign countries as a show-piece.
In the time
machine, and an year back ! ~ shouts of சோழ மண்டலாதிபதி
மாமன்னர் வீராதிவீரர் ராஜராஜசோழன் வருகிறார் -
பராக் ! பராக்!! !!
rant the air .. .. to the delight
of huge crowds. It was a reverential
home coming for the two icons of King Raja RajaChola, who built the Big temple
at Thanjavur and his queen Lokamadevi, when they were brought by Idol wing
police headed by Pon. Manikavel, IG, to the court which deals with idol theft
cases at Kumbakonam on Friday, 1st June 2018. People gathered in large numbers
and welcomed the icons by shouting “Raja Raja Chola Vaazhga” when they were
brought by the police at Bhakthapri rountana at Kumbakonam for presenting
before the court.
Down under, Kallidaikurichi
is a dusty town on the right banks of
the Thamiraparani river in Ambasamudram Taluk of Tirunelveli district. Like some other villages in Thirunelveli,
this place too is steeped in tradition and is rich in heritage, but struggling
to hold on to its past glories. Kallidaikurichi's Hindu shrines are of ancient
temple architecture style, having high-rise gopurams (ornamental gateways of
temples) with sculptures that herald the past glory of this region. Muthuswami Dikshitar, the carnatic composer,
whose songs abound with geographic and iconographic references, sings of the
curative properties of the river Thamiraparani. To him, the Goddess at Tirunelveli,
is Hima-saila-sutaa (daughter of the mountain snow). This town is located about
70 km north of Kanyakumari (Cape Comerin). The twin cities of Tirunelveli and
Palayamkottai are about 35 km away.
This
is no post on the Temple or its surrounding but of its idol – Swami Nataraja
returning after 4 decades from Oz. On
Friday, it is stated that the platforms of Puratchithalaivar Dr MGR Central
railway station was abuzz as Tamilnadu Express arrived. It had brought back 16th century Nataraja panchaloha idol stolen
from a Tirunelveli temple ~ still the return of the lost idol could not rid
hostility or smoothen divisions.Lord
Nataraja has completed a long journey overseas. The idol, which belongs to a temple in
Kallidaikurichi in Tirunelveli district of Tamil Nadu, was on Wednesday flown
down to New Delhi from the Art Gallery of South Australia (AGSA)where it had
been displayed for several years. It had been stolen from the Tirunelveli
shrine in 1982.
Australian Press
had written about this 600-year-old Dancing Shiva owned by the Art Gallery of
South Australia, at Adelaide having been identified as stolen from India, with
authorities commencing a bid for its
return.The statue is the first antiquity India has claimed from 24 potentially
problematic pieces identified by AGSA in 2014.
Five years after suspicions were raised over the origins of the statue,
Indian police this week linked it to a temple in the southern Indian city of
Nellai, where a photograph shows it in place in 1958.It is understood the bronze,
bought in 2001 with $436,000 in donated funds and weighing 100 kilograms, was
reported missing in July 1982.
The Art Gallery of
South Australia (AGSA) was not named in the police statement but its acting
director, Lisa Slade, confirmed the statue was the one identified by Indian
officers.The Art Gallery of South Australia has one of the largest art museum
collections in Australia, comprising of
almost 45,000 works of art spanning 2000 years. Their collection includes paintings, prints and
drawings, photographs and videos, textiles and clothing, ceramics, glass,
metalwork, jewellery, furniture – a n d .. .. ‘sculptures’ what they call as
work of art – to us ‘idol of Gods’. Their
website claims that in 1939 the Gallery
became the first Australian art museum to acquire a work by an Aboriginal
artist and today, the traditional and the contemporary unite a diverse
collection which includes desert paintings on canvas, bark paintings in ochre,
photography, video, textiles, ceramics, glass and sculpture.
A team
of police officers from the idol wing led by court-appointed special officer
Pon Manickavel brought the packed and sealed idol by Tamil
Nadu Express from New Delhi. The officer accused the state government of not
extending his team cooperation and financial assistance in bringing back rare
idols stolen from various temples in Tamil Nadu and housed in galleries abroad.
“We have written to the state government seeking its support to bring back 20
stolen idols in art galleries in Australia, Singapore and other countries. But
so far, we have not got a positive reply,” Manickavel told TOI.He said not less
than 1,000 temple idols stolen from the State were currently being showcased in
art galleries abroad. “We could not bring the Nataraja idol by flight as we did
not get support from the government,” he said. Had there been support from the
government, the first batch of 20 idols in Australia, Singapore and other
countries could have been brought back to India, he added.
Around
7.10am on Friday, a musical band and artists playing the thavil and nadaswaram
synchronized to drown the sound of train entering platform six at the Central
station. Oduvars and priests sang Tamil hymns praising the deity. Emotions ran
high as flowers were strewn over the sealed box containing the idol. It was
placed on a table and a carpenter used tools to open it.After the idol was
taken out of the box, head priest of the Kallidaikurichi temple M Krishnamurthi
draped a silk veshti and towel around it before lovingly decorating it with flowers
and garlands given to him by several devotees from Chennai. After a small
pooja, a grand arati was performed with devotees and police officers singing
Tamil hymns in praise of the deity.
The
entrance to the Central station was crowded with people, eager to catch a
glimpse of the idol and take part in the ritual.“We will take care of the idol
once it reaches our temple and ensure its safety. We are excited to have our
Lord back,” said Krishnamurthi. The statue was taken by road to Trichy. It will
be presented in a Kumbakonam court before being taken home.
According to
sources, the 600-year-old idol, weighing around 100 kg, was stolen after the
doors of the sanctum sanctorum were broken open on July 5, 1982. Along with it,
a 2.5-foot tall panchaloka idol of Sivakami, 1.5-foot tall Manickavasagar idol
and 1-foot tall Sribali idol were also stolen.A complaint was filed by the then
trustee of the temple, following which the Kallidaikurichi police had
registered a First Information Report (FIR) on July 6, 1982. However, two years
later the Kallidaikurichi police closed the case concluding that the idol was
untraceable.
To
the fortune of devotees, a few years
ago, the case was handed over to the court-appointed Idol Wing special team,
led by Manickavel. After investigation, the case was reopened and taken up for
investigation by the wing’s Additional SP Rajaram. The idol which was kept in the gallery in
Adelaide, Australia for 17 years was traced a year ago. As a result of the Idol
Wing special officer and retired Inspector-General of Police A.G. Pon Manickavel’s
persistent effort to bring the Indian heritage back to the country, the
Australian authorities formally handed over the idol to officers of the wing in
New Delhi on September 11 (Wednesday). Mr PonManickavel revealed that after locating
and convincing the Australian authorities and Art Gallery of South Australia
(AGSA) by producing the records substantiating that the temple is the original
owner of the idol with photographs taken before the theft of the idol, that the
idol belonged to India, they agreed to return the idol. However, the Tamil Nadu
State government refused funds to bring back the idol for the last 330 days.
Feeling
happy on the return of Nataraja .. .. the return drowns the sorrow of the way
of people, the burglary, the reaction, closure of file, the return by Tamil
Nadu Express train and .. having to go to Court at Kumbakonam .. ..
Before concluding,
the Madras high court has granted interim stay on the lower court’s order
cancelling bail for HR&CE additional commissioner N Thirumagal, an accused
in the Kapaleeswarar temple idol theft case. She said the idol case was
registered in 2018 and she was the second accused. She was granted bail later
but the idol wing police filed an application seeking to cancel her bail, which
was granted.
Away in the town of
Lord Nataraja, a wedding ceremony inside
the 1,000-pillar hall of the historic Chidambaram Nataraja temple in Cuddalore
district recently has kicked up a
row. This is the first time a wedding
was conducted in the 1,000-pillar hall of the 12th-century temple. The hall
traditionally served as a sacred place for performing abhishegam for the
presiding deity Lord Nataraja and Sivagami Amman during the Tamil months of
Aani and Margazhi.
We
the devotees, bow in obeisance to the Lord to protect us and ensure that we
take all measures in protecting the glory of culture and our Temples. .. .. and one would fail if not to mention
the efforts of ayya Pon Manickavel ~ a real gem.
Regards
– S. Sampathkumar
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