Statues are
made after great persons – but what do they serve - decline and deterioration is but inevitable
and at some point of time, none would even recognize!
It was a
photo posted by historian, knowledge bank Kathik Bhatt on FB that started a
search trail. He had posted a photo of Elephants at Madras Zoo taken by Ellis R
Dungan.
Ellis Roderick Dungan
(1909 – 2001) was a famous name in Tamil cinema, an American film director, who worked predominantly in Tamil cinema, from 1936 to
1950. He was an alumnus of the University of Southern California and moved to
India in 1935. During his film career in South India, Dungan directed the debut
films of several popular Tamil film actors, such as MGR in Sathi Leelavathi, T. S. Balaiya, Kali N.Ratnam and N. S.
Krishnan. Besides Tamil hits, he did
“Meera” in Hindi too. Dungan,
reportedly had no knowledge of Indian
languages, a problem which never affected his career as a director of films in
Indian languages, especially Tamil. He introduced many new techniques to Indian
cinema despite the technical limitations of that period.
“Meera” – the story of
devout Meera was made in 1945, a musical
drama film directed by Ellis R. Dungan, produced by T. Sadasivam and written by
Kalki Krishnamurthy. The film starred the great Carnatic singer MS Subbulakshmi
as the eponymous 16th century mystic and poet, a zealous devotee of Krishna. The role of Mewar
King Rana was done by an actor by name Chittor Nagaiah, who still stands
forlorn in busy part of Chennai with
tens of thousands of people crossing him daily.
– do you know where ? – though most likely that you would have walked or
rode nearer !!
Sadasivam wanted to
produce a film that would take his singer wife Subbulakshmi's music to greater
heights and reach even the common man – the story of ‘Meera’ was finalized and
production started at Newtone Studio in Madras, but was predominantly filmed on
location in North India in places like Jaipur, Vrindavan, Udaipur, Chittor and
Dwarka to maintain credibility and historical accuracy. Meera was released on 3
November 1945, Diwali day. The film became a major critical and commercial
success; this led to the creation of a Hindi-dubbed version, which had a few
scenes reshot, that was released two years later and also achieved success. Despite the Hindi
version making Subbulakshmi a national celebrity, it would be her last film as
an actress, after which she decided to focus solely on her musical career.
The man chosen to play the
Mewar King was Vuppaladadiyam Nagiah,
better known as Chittoor V. Nagiah, a
great celebrity of those years - called as the 'actor saint' was well liked as
an avid performer, refined music composer, incomparable musician, vocalist,
filmmaker and director. He was the first person who got the respect not only
from the Telugu film industry as well as the Tamil film industry. He was
extremely civilized and sympathetic towards his fellow beings. His life
personified like an ocean current, which sprang up out of the blue and fell
down instantly.
Nagiah was born in 1904 in
a Telugu Brahmin family at Repalle in Guntur District to Sri Ramalinga Sarma and Smt.Venkata Lakshmamba. He studied with the help of scholarship
provided by the Thirupathi Devasthanam during 1918. He couldn't extend for
higher studies as he drew rather more interest in music and stage plays. He
completed his B.A. Degree at Chittoor. He worked as a clerk in a local
government office and as a news reporter for the new paper 'Andhra Patrika' in
Chittoor for a short while but soon he found the was work would not suit him
and dropped out. He was drawn to freedom
struggle and took part in salt sathyagraha and was imprisoned for 18 months. He
entered into an amateur theatre in the company of R. B. Ramakrishna Raju – a
political leader and a successful lawyer. Nagiah assisted the gramophone companies like
Hutchins, Twin etc., as the domesticated musician. He brought down many
assorted gramophone records just as Classical and light music and some of them
were of the great legendary saint and musician, Thyagaraja Swami.
The actor whom feisty Baburao Patel, Editor of
Mother India, once called “the Paul Muni of South India” reached greater
heights. Muni, for those unfamiliar with the name, was the winner of the Best
Actor Oscar in 1936 for his role in the film The Life of Louis Pasteur and
considered one of the best character actors of his time; he had four other Best
Actor nominations in the 25 films he made before deciding to stick to the
stage. Nagayya (aka Nagaiah) was, from 1938 till the early 1950s, considered
the best character actor in South Indian cinema. His was not a regular route though, as he
sang for his livelihood — not to an audience, but
for a gramophone record company. He became popular as a “gramophone plate
artist”, moved from Chittoor to Bangalore — and then he decided to move again,
to the capital of the Presidency, Madras, where all the action was. There,
while acting in Chennaipuri Andhra Maha Sabha stage productions at the Victoria
Public Hall, he was spotted by Bommireddi Narasimha Reddi, for movie ‘Grihalakshmi’. Nagayya followed B.N. Reddi to his new
venture, Vauhini Pictures, and scored in its first film, Vande Mataram.There
followed success after success in Telugu films. Nagayya was to act in 137 of
them. It was to be 1941 before he made a Tamil film, playing the part of the
Emperor Ashoka in the film Ashok Kumar, starring Thyagaraja Bhagavathar and
Pasupuleti Kannamba. He was to make 92 more Tamil films, besides eight each in
Kannada and Hindi. One of those Tamil films was the immortal Meera, starring
M.S. Subbulakshmi and directed by Ellis Dungan.
Thyagaiah 1946 film, considered
as masterpiece, was produced and directed by Chittor V. Nagaiah – he acted in
the lead role, wrote story and screenplay and scored music for the musical hit
that had 37 songs too. It is a
soul-stirring film about the truly extraordinary life of Saint Thyagaraja. Those who recall his works, put his two best films to be Thyagaiah (Telugu) and Ézhai Padum Paadu
(Tamil), based on Victor Hugo's Les Miserablés. As Thyagaraja the saintly
composer in the former and a Tamil Jean Valjean in the latter he turned in
performances described as “classic”, justifying Baburao Patel's assessment of
him nearly a decade earlier. But for all his success, his last years were hard
ones, financially, his open house policy and generosity contributing no little
to this. Being awarded the Padma Shri — the first South Indian star to be so
recognised — was of no help. He passed away in Madras on 30th December 1973 at the age
of 72. He went out of reckoning .. .. however, some of his old friends struggled to erect a statue of Nagaiah at Panagal Park, T. Nagar - where he lived most of his life.
It is stated that Chittoor
V. Nagaiah several decades ago felt the need for an organisation (sabha) to
conduct classical music concerts for the benefit of the residents of T. Nagar
and its surroundings when one evening, and was instrumental in founding Sri Thyaga Brahma Gana Sabha alongwith some
friends. This sabha now stands majestically in GN
Chetty road, famously known as ‘Vani Mahal’
providing opportunities of many artistes of Art and Culture.
.. .. ….may
be next time you go shopping for Gold in T Nagar, or silk in Nallis, Kumaran,
Pothys or buy at Legend Saravana, do
walk around Panagal park to see his statue standing forlorn ! ~ that is a grim reminder of life.
18th Aug 2021.
Very nice.
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